Archived posting to the Leica Users Group, 2014/09/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]My take on processing images taken with a Leica Monochrom using Lightroom. First off, a caution. This is currently how I work with Monochrom files and Adobe Lightroom 5.6. It works for me. Your mileage may vary, void where prohibited, contents may settle in shipping. I start with the camera. Shortly after I rec?d it, I did some testing with a color checker card under controlled conditions. I wanted to see what the tonal response of the sensor was in comparison to the 4x5 films I had been most familiar with back in the day. I found that the use of a light yellow filter, a #8 Wratten, gave a tonal response that matched extremely close to Ilford FP4+ sheet film developed in my favorite developer. So I started using a #8 yellow filter on my lenses all the time. Indoors, outdoors, nighttime; it never comes off, unless I use a darker one or a different color. I also have had a habit, with Leica cameras, of metering on something equivalent to Zone V (middle) gray, setting the shutter value, and recomposing, rather than relying on the meter to know what I want. The Monochrom is sensitive to highlight clipping; and there is no getting any detail back if it happens. So I am very sensitive of the highlights but I didn?t want to be looking at the lcd and histogram after every shot hoping that I didn?t overexpose. My recent solution to that? Simple. I set the camera to always underexpose by 2/3 stop. This works because you can raise the shadows as much as you need in post processing without any degradation (that I can see, anyway), and gives you very detailed highlights, within the limits of the contrast levels in the scene of course. Lightroom. I like Lightroom. I?d probably like other programs just as well but it was what I had and is very intuitive to me since I?d been using Photoshop for so many years. I use it backwards, though. ;-) Contrary to accepted books and tutorials, here is my standard post processing workflow: When I import an image I let Lightroom apply the standard +25 import sharpening but do no other import adjustments. The main reason for this is that I want to see what every adjustment does to the image; not guess that blanket settings will work with this particular image. A little more work but then I?m not dealing with thousands of images a week. In the Develop module I start in Lens Corrections and apply the lens profile and then do any manual distortion corrections and rotation I feel is necessary. Then to Detail where I will raise the default sharpening to between 35 and 50, and apply any noise reduction if a high iso has been used. Then up to Tone Curve and change the Point Curve to Medium Contrast. Then I will use the Spot Remover with Clone / Heal as necessary to remove dust or other distracting elements I deem unnecessary. Now to the Basic panel, when I first apply +25 to Clarity. Then I hit the Auto and see what Lightroom thinks my photo should look like. The vast majority of the time it is wrong. So I?ll start adjusting everything to where I want. *A note here regarding my ? 2/3 exposure compensation: One can raise the blacks and shadows of a Monochrom image by 2 or 3 full stops without harm. Try it. After that, it is onto the Graduated and Radial Filters and / or the Adjustment Brush for any local burning, dodging, sharpness, etc. necessary. Next is cropping, if desired. Finally I may add a little vignette using the Effects panel. Export. At that time, I will usually live with the image for a week or so, looking at it several times a day or making a copy my desktop background. After that the image is rejected, reworked in Lightroom, or posted to the web gallery, whichever is appropriate. Comments are welcome.