Archived posting to the Leica Users Group, 1998/10/23

[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]

Subject: [none]
From: "B. D. Colen" <bdcolen@earthlink.net>
Date: Fri, 23 Oct 1998 04:58:23 -0400

This is a multi-part message in MIME format.

- ------=_NextPart_000_0001_01BDFE41.C3A5E340
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

Forgive me - But I followed the URL Hans provided and, in addition to
finding stunning photos, found the following information - I've underlined a
couple of things...:
- ----------------------------------------------------------------
There is something about Jim Marshall's work that invites praise and prompts
questions about his technique. What sort of equipment does he rely on? What
film? What lens? And most commonly, what does he do to get such razor-sharp
pictures? At one time, word came back to Marshall that a young man was
making the rounds of the camera shops in San Francisco, looking for a
special developer called "Sharpinol." When the camera guys asked him where
he'd heard of this (non-existant) product, he gravely explained that Jim
Marshall had recommended it. The young photographer never realized it had
been a joke; that there is no magic balm to apply at the end of the process.
Good pictures are the sum of their good parts; plenty of practice, good
tools, and the gift of sight.
Practice. Perhaps the most important aspect of Marshall the photographer is
his sheer willingness to be a photographer. Marshall never goes anywhere
without a camera over his shoulder. If practice makes perfect, then practice
alone could explain much of his skill. When he walks down the street to go
to dinner, he has a camera. In the car, he has a camera. While running
errands, in bars, in client's offices, he has a camera. He wears them like
other people wear shoes, and not just as a prop - if there's available
light, he grabs at least three or four frames of whoever he's with.

Tools. Making this attitude easier is Marshall's choice of equipment-
available light, and a simple Leica M-4 rangefinder. This small, silent,
compact package with no light meter, no mirrors, no batteries, no auto
anything and no wysiwyg view through the lens is Marshall's only tool. When
asked why he prefers Leicas over all other cameras, he becomes
uncharacteristicly tongue-tied. "They just feel right. They're an extension
of me, like an old sweater."

Years of shooting have simplified Marshall's routine. While running errands,
he carries an M-4 with a 35mm lens. On the job, he always brings two M-4's,
one with a 28mm lens and one with a 50mm. In addition to these two, he'll
carry two or three others that vary depending on the job. He's been seen
with five cameras around his neck at one time. This is made possible, of
course, by the small size of the cameras, but made necessary by the way he
handles lenses. Once a lens is perfectly matched to a camera body, he never
takes it off. He feels this gives a slight edge to the focus and helps
produce a consistant result.
Marshall shoots mainly black and white, almost always Kodak Tri-X pushed to
800 ASA. And while he achieves outstanding results with it, he still
complains bitterly about the films and papers available today. "The
manufacturers claim today's films are as good as the old ones, but it just
isn't true. They're not as good. They're not as sharp as they used to be."
The Sight. Practice requires determination and good tools can be bought, but
the photographer's gift is born. The gift that Marshall has - that any good
photographer has - is sight. This is the ability to zero in on a rectangular
piece of life and divorce it from its surroundings; to evaluate the light
and composition of it, independently of the emotion that promped the need to
take the picture. A feel for people is required, for emotion and movement,
but ultimately, choosing the moment makes the shot. Jim won't use auto-focus
cameras for this reason; he feels that there is a split-second of hesitation
in them, while the optics adjust, that misses that moment by a
hairs'-breadth. "I don't know if that's true" Jim says, " but I feel like
it's true, and that's what counts. You can't shoot without complete
confidence in your equipment."
Usually, Marshall arrives at a shoot without an assistant. He brings a light
only under duress, then one light with a diffusion umbrella seems to
suffice. A few years ago, Marshall showed up at author Alice Walker's home
for an assignment. He had been hired to do some shots for an ad in the New
York Times. The art director took one look at him and panicked. "Where are
your lights?! Where's your assistant? Your stylist? Your set? WHERE is your
equipment!? " Instead, Marshall and Walker sat on the back porch, talking.
Jim took pictures. Alice liked them so much, she asked to use one on her
next book jacket.
On the subject of his style, Marshall says, "I really hope that when people
look at my work they say, " That's a nice photograph of Alice Walker," not
"That's a nice Jim Marshall."


- ------=_NextPart_000_0001_01BDFE41.C3A5E340
Content-Type: application/ms-tnef;
	name="winmail.dat"
Content-Transfer-Encoding: base64
Content-Disposition: attachment;
	filename="winmail.dat"
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- ------=_NextPart_000_0001_01BDFE41.C3A5E340--