Archived posting to the Leica Users Group, 1998/12/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I met with fellow LUGgers George Hartzell and Gib Robinson at Galen Rowell's Mountain Light gallery for the opening of an exhibit of EverColor Luminage prints made from photographs by Galen and by Bill Atkinson. Jim Brick (I think) and perhaps others have told us the the future is digital. Well guys and gals the future is NOW. At the present state of the technology, chemical-based film is still the best field technology, but Evercolor's Luminage prints are quite simply stunning. Bill Atkinson used an audio analogy: cassette tapes vs. CDs. The Luminage prints have no "tape hiss". During the Q&A session, Bill and Galen addressed the concerns about digital image manipulation and a photographer's credibility when using a digital process. As several of us have discussed here on the LUG the photographer him/herself has to decide how much digital work is acceptable given the context in which the photograph is used. It's like books: there are fiction and non-fiction books and as long as the work is clearly identified as one or the other people can (and eventually will) accept both. Besides, image manipulation isn't limited to the digital "darkroom". Anyone besides me remember Jerry Ulesman's (sp?) blended images from the 1970's? What about solarization, and other dumb darkroom tricks? Fictional photography was been with us long before Photoshop. Luminage prints are not for the faint of wallet but the cost of the computer technology is constantly and rapidly going down. Bill's guess was that within 3 years the cost will be more feasible for most photographers. As for our collective investment in premium optics, fear not! Technology like this will let Leica lenses shine like never before. EverColor's web site is www.evercolor.com. Doug Herr Sacramento