Archived posting to the Leica Users Group, 2000/03/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]After reading this analysis by Marc, I wonder, if it was EVER possible by ANYBODY, to make lenses equal to, if not better than, ZEISS :-) ???? - - Jay > > A friend suggested I review Duncan's comments in THIS IS WAR, and, > amazingly, I listened and did so. > > Duncan states, quite clearly, of the Nikon lens offerings that "their > three standard lenses for 35mm cameras were far superior, in our opinions, > to any standard 35mm lenses available on the open market -- British, > American, or German". I might quibble with "far superior", but not by much. > > Duncan says that he and Bristol found this out "prior to the outbreak of > the Korean War". He doesn't date this exactly, but we can presume he meant > a brief window prior to June, 1950. And remember those words: "standard > 35mm lenses" and "available on the open market". Duncan was speaking of > the sort of 50mm lens which could be had from the average photo store. > > In early 1950, there were simply no Zeiss lenses for 35mm cameras > "available" on the market. None. The Jena lenses were barely "available", > in quite limited numbers, though only through Zeiss USA, and that over the > stringent objections of the Zeiss Foundation; in any event, the normal > lenses were designs twenty years old at the time Duncan writes of. There > were no Oberkochen 35mm lenses of any sort available at this time: regular > production of the improved 1.5/5cm Sonnar does not commence for another > year. I am fairly certain no British 50mm lenses were then in production, > and Kodak was no longer manufacturing the fine Ektar lens line. Hence, the > competition could only be with Leitz' designs. > > I have no doubt the Nikkor lenses were superior to the Leitz lenses of the > era. If Duncan did a comparison of Prewar, and probably uncoated Zeiss > lenses, against new, coated, Nikon lenses, the test was not a fair one. If > he compared a new Nikon lens with, say, a battered and worn, > fifteen-year-old Jena Sonnar, the test would depend on whether the Zeiss > lens had been checked over for alignment and cleanliness. Duncan speaks > not of this, so we can only presume he took his own lenses out of his bag > and used those for the comparison. > > No authority of any standing would suggest even a Summitar can perform as > cheerfully well as could a 2/5cm Sonnar, and the Summar is way off in left > field, somewhere. Duncan mentions the 1.5/50 Nikkor, 2/85 Nikkor, and > 3.5/135 Nikkor. Now, if the comparison was like to like, that means a > Nikkor versus a Summarit, and the honours would clearly go to the Nikkor, > as it is a clone of the much superior (pace, Erwin!) Sonnar. Leitz did not > make a 2/85 of any sort, though it did produce the rather soft 1.5/8.5cm > Summarex and the 4/9cm Elmar: here, again, the Zeiss design for their > 2/8.5 Sonnar would clearly win in almost any optical terms. And the > 4.5/13.5 Hektor, fine as it may be, and I have used and loved every one I > have owned, cannot hold a candle to the 4/13.5cm Sonnar on which the Nikon > 3.5/135 is based. > > So, the test was either Zeiss Prewar and uncoated and professionally > battered lens versus new Nikkor lens, or it was new Leitz versus new Nikkor > and, in that regard, given the Zeiss heritage of the Nikkor lenses, I would > suspect Duncan evaluated them properly, though, again, over-stating his > case quite a bit, as Dr Bauer was to advise Pop in 1951, but in terms of > spluttering German insistence on fair tests. > > To my knowledge, Duncan never tested any British or American lenses against > the Nikkors, though he says the Nikkors are superior. I would like to know > the basis of his statement. > > I am continuing my efforts to get Mydans and Duncan to confirm this > analysis. As it stands now, Duncan's statements, and the interesting > article by Arthur Goldsmith ("How the West Was Won". Popular Photography, > March, 1991, pp 34 et sequentes), do not provide the precise exemplars in > the Bristol & Duncan shoot-off, but I suspect his basic statement -- that, > of "normal lenses" available in early 1950, the Nikkor lenses were superior > -- was correct. Zeiss was simply not in the running at that time. (Carl > Mydans was sent to cover the Korean War. In transit, he lost his camera > gear. When he arrived in Tokyo, the ONLY lenses he could find AT ANY PRICE > were the Nikkor bunch, so he converted, making a virtue of necessity. > Hence, Nikkor lenses were, at least in Tokyo in 1950 ALL that was > available! Duncan seems to misinterpret what caused Mydans to use Nikkor > lenses.) > > And Duncan concedes that this analysis ONLY held for the 50mm to 135mm > range -- in other focal lengths, he specifically states that "we thought > the German lenses to be still superior". > > Duncan also discusses the distaste stateside editors had for 35mm cameras > in this piece, incidentally. > > Marc > > msmall@roanoke.infi.net FAX: +540/343-7315 > Cha robh bas fir gun ghras fir! > >