Archived posting to the Leica Users Group, 2006/04/11

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Subject: [Leica] Why we photograph, artists who photograph, and HCB - golden mean
From: jsmith342 at cox.net (Jeffery Smith)
Date: Tue Apr 11 18:12:39 2006

If I seem arbitrary, it isn't deliberate. Most of the geometric examples in
the film weren't available to me on the web. What struck me was the use of
diagnonals in framing many of his shots. I have to admit that I don't have
an MFA sort of background. This is just a hobby for me.

Jeffery Smith
New Orleans, LA
http://www.400tx.com




-----Original Message-----
From: lug-bounces+jsmith342=cox.net@leica-users.org
[mailto:lug-bounces+jsmith342=cox.net@leica-users.org] On Behalf Of Robert
Meier
Sent: Tuesday, April 11, 2006 7:46 PM
To: Leica Users Group
Subject: Re: [Leica] Why we photograph, artists who photograph,and HCB -
golden mean


Jeff,

Some of your geometric diagrammings seem counterintuitive, if not downright
arbitrary.  The picture of Sartre on the bridge, for example -- shouldn't
the main diagonal line go from the upper left corner to the lower right, and
the secondary line branch off that to go to the right of that line, by
Sartre's face and through the other man's face?

Bob

----- Original Message -----
From: "Jeffery Smith" <jsmith342@cox.net>
To: "'Leica Users Group'" <lug@leica-users.org>
Sent: Tuesday, April 11, 2006 6:54 PM
Subject: RE: [Leica] Why we photograph, artists who photograph,and HCB -
golden mean


> Bob,
>
> In looking at many of HCB's photos in the documentary, I detected that 
> HCB seemed to be looking for angles (one part of the documentary had 
> HCB
talking
> constantly of "geometry"). The placement of subjects seemed to be
invariably
> on one side of an angle as I have collected here:
>
> http://www.400tx.com/HCB.html
>
> Even if these images aren't compellingly "golden mean" (I couldn't 
> find little thumbnails of all of the examples they showed in the 
> film), HCB almost never places his subjects in the center of the 
> frame, and when he doesn't have an obvious diagonal, he often has a 
> rule of thirds
composition.
>
> Jeffery Smith
> New Orleans, LA
> http://www.400tx.com
>
>
>
>
> -----Original Message-----
> From: lug-bounces+jsmith342=cox.net@leica-users.org
> [mailto:lug-bounces+jsmith342=cox.net@leica-users.org] On Behalf Of 
> bob palmieri
> Sent: Monday, April 10, 2006 9:49 PM
> To: lug@leica-users.org
> Subject: Re: [Leica] Why we photograph, artists who photograph, and 
> HCB
>
>
> Jeffrey & Tina -
>
> I know from the Golden Section, but I don't really understand how to 
> use it in an organic way in snapping. Can you show me how it applies 
> to, perhaps, some of HCB's pictures?
>
> Bob Palmieri
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information
>
>
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information
>



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In reply to: Message from robertmeier at usjet.net (Robert Meier) ([Leica] Why we photograph, artists who photograph, and HCB - golden mean)