Archived posting to the Leica Users Group, 2010/04/17

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Subject: [Leica] HCB exhibit and the New Yorker Review
From: charcot at comcast.net (Charcot)
Date: Sat, 17 Apr 2010 11:51:22 -0600
References: <22D5BFAE-4982-498F-8460-9F1FFBBEF2E0@comcast.net> <r2t19b6d42d1004171034rceee81d5rb1651cd4a5809255@mail.gmail.com>

Vince - thanks for your insights.
ernie
On Apr 17, 2010, at 11:34 AM, Vince Passaro wrote:

> Scheldahl is a particular reviewer, a very good one, but he favors passion
> and what you might call psychological bloodletting over, say, a near 
> perfect
> mimetic and compositional skill. HCB took reality and revealed its deepest
> REALITY -- while also revealing -- and indeed BY also revealing -- its
> hidden forms. He comes off, undeniably, as cool and distant from what he
> "composes" -- as opposed, say, to Eugene Smith, whose passionate engagement
> speaks loudly in his photographs.  So Schjeldahl is right in a way, except
> in his personal sense that such a vision as HCB's "numbs" the heart. I 
> think
> for many of us the formal beauty that he discovers and reveals in a moment,
> a scene, an image of reality breaks the heart wide open, in the way, say,
> that the poet Gerard Manley Hopkins' could quite literally feel divine
> creative reality in a mont in nature, seeing a falcon or a dawn -- "The
> world is charged with the grandeur of God! It will flame out--" etc.
> 
> Vince
> 
> On Sat, Apr 17, 2010 at 11:18 AM, Charcot <charcot at comcast.net> wrote:
> 
>> ?He traveled all over the goddamned world, and you never felt that he was
>> moved by something that was happening other than the beauty of it, or just
>> the composition.? The problem of Cartier-Bresson?s art is the conjunction 
>> of
>> aesthetic classicism and journalistic protocol: timeless truth and 
>> breaking
>> news. He rendered a world that, set forth at MOMA by the museum?s chief
>> curator of photography, Peter Galassi, richly satisfies the eye and the
>> mind, while numbing the heart.
>> 
>> Read more:
>> http://www.newyorker.com/arts/critics/artworld/2010/04/19/100419craw_artworld_schjeldahl#ixzz0lN2EKWEc
>> 
>> Sorry folks I don't get it - how does the reviewer draw all this from HCB 
>> .
>> I for one am planning on spending $ to go to one of the hosting cities!
>> 
>> ernie
>> 
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Replies: Reply from passaro.vince at gmail.com (Vince Passaro) ([Leica] HCB exhibit and the New Yorker Review)
In reply to: Message from charcot at comcast.net (Charcot) ([Leica] HCB exhibit and the New Yorker Review)
Message from passaro.vince at gmail.com (Vince Passaro) ([Leica] HCB exhibit and the New Yorker Review)