Archived posting to the Leica Users Group, 2008/01/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]i don't get the impression that they're posed in the sense of "staged" -- and i don't really have a problem with a type of doccumentary photography that uses "posed" images either purists will no doubt complain, but i think there's room for a division where a doccumentary photographer can say "let me take a portrait of you and bob in your room" the photographer can never erase themselves from the scene, and the problems that arrise, eithically and otherwise if a photographer says "call me next time you're going shoot up" is something that i think each photographer must deal with individually (whether or not they'd make a request like that) -- are you causing someone to do something they wouldn't do? yes, and no. but this is nothing new -- bias begins even before you pick up a camera, it begins with what you decided to photograph, and there's bias and influence in every step after that -- from how to light it to what photos eventually get printed. for what it's worth, i think these images are a real bang-up job. they're amazing. though nan goldin probably wants some royalties. and all the more kudos to her for using a leica. p.s. who's that guy who "invented" -- what did he call it? "new journalism"? where you live with the people you're writing about -- he did that book called "the bike riders"...