Archived posting to the Leica Users Group, 2008/01/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]There are a few things that make her style "different" -- one is what seems to be the giant bare bulb in the room most of the time, it's an unflattering light for an unflattering subject, it makes things look "real" in almost an amateurish way -- there's a sort of "home pr0n" aspect to it but it's done with great talent -- by eschewing the clever lighting, beautiful tones, and stand-back black and white that "cocaine blue, cocaine true" gave us we're left with something of a garish "this is real, it's not a photograph" feeling. it's like a brutal film noir with grain and green-tinted fluorescents. i think that's one of the things that makes it successful, it's ugly realism. while i really like them and think they're wonderfully done, i can't see hanging any of them in my house -- they're too realistic and too sad. The thing that impresses me most is that she was able to talk her way into photographing this -- like Donna Feratto did in "Living With The Enemy"... is Jessica invisible? do her subjects play to her? who knows, she probably more than anyone else. Without meeting these people I can't really gauge how they react and how they would react. I suspect that a photography session of mine is a lot more fun, but i really appreciate what she got out of her investment. kyle