Archived posting to the Leica Users Group, 2008/03/13

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Subject: [Leica] Not Buying M8 (For Steve B)
From: kididdoc at cox.net (Steve Barbour)
Date: Thu Mar 13 14:01:08 2008
References: <1205299901.47d76abdf119f@panthermail.uwm.edu> <C3FD3B96.94B6D%mark@rabinergroup.com> <6.2.1.2.2.20080312112933.01535008@pop.med.cornell.edu> <5CC4239D-434A-4C36-A7E9-02C488D24A2F@cox.net> <6.2.1.2.2.20080312150514.03996c08@pop.med.cornell.edu> <7A6BD755-2BDA-4DA4-93F1-3276E153C033@cox.net> <6.2.1.2.2.20080313112729.0161e6b0@pop.med.cornell.edu>

On Mar 13, 2008, at 9:16 AM, Chris Saganich wrote:

> Oh boy sorry about that, bad choice of example and a poor  
> explanation to go with it, I didn't mean to imply your photographs  
> remind me of that.  Quite the opposite.  Your work is a good example  
> of what is good and what I like about photography.  The crying  
> babies of what is bad and I hate about photography.  I'm so sorry  
> you thought I was equating the two, no, no, that is a repugnant  
> thought indeed!  I didn't mean that in a million years.



thanks Chris... I didn't think so...


Steve



>
> Chris
>
> At 08:15 PM 3/12/2008, you wrote:
>
>> On Mar 12, 2008, at 12:30 PM, Chris Saganich wrote:
>>
>>> Your work is a good example.
>>
>> hmmm  really ?  of what may I ask ?
>>
>>
>>> Brings to mind the crying baby photographs, where the photographer
>>> made the babies cry on purpose.
>>
>>
>> oh God,  spare us... !
>>
>>
>> I see no connection whatever; honestly I find such a thought both
>> incredibly remote and repugnant...
>>
>>
>> Steve
>>
>>
>>
>>> The crying baby makes for a visceral reaction as does you images,
>>> (having worked in a cancer hospital with pediatric cases I can
>>> relate to your images on this level), but in the former case one
>>> might ask, why are the babies crying? and the answer is because it
>>> is what the photographer wanted.  In your images one might ask why
>>> is the child in the hospital?  Not because of the photographer!  The
>>> important part is that we know this information  When (What) we
>>> don't know I feel it is a problem that is understated and little
>>> understood.  In the digital world it seems we tend to know less and
>>> less, subjective reality is off the map, which is what makes me
>>> nervous because is seems easy and popular; anyone can do it.  As an
>>> exploration for artists it is a rich area which makes me wish I was
>>> 25 and in art school.  As a middle aged person on the verge of
>>> xenophobia, drinking too much caffeine, it is troublesome.
>>>
>>> At 12:35 PM 3/12/2008, you wrote:
>>>
>>>> On Mar 12, 2008, at 9:06 AM, Chris Saganich wrote:
>>>>
>>>>> Well again, vision doesn't cease with the shutter.  The  
>>>>> extension of
>>>>> vision into the darkroom or the computer is often necessary.   
>>>>> Those
>>>>> who are solidly grounded in the conceptual framework of  
>>>>> extension of
>>>>> vision photography or the painterly concepts of photography have
>>>>> little trouble with the digital world.  Like solarization or IR  
>>>>> film
>>>>> these are obvious painterly concepts, removing reality from  
>>>>> images,
>>>>> bringing attention to the handwork rather then the subject.   
>>>>> Except
>>>>> in the digital world this commingling of concepts becomes so  
>>>>> subtle
>>>>> that reality can be purged or invented without anyone seeing  
>>>>> it.  It
>>>>> is like there is violence being committed but no one notices or
>>>>> cares, the violence is invisible, and this is why the digital  
>>>>> world
>>>>> seems sinister to me.
>>>>
>>>> I think this was always true...though it's made easier now...not
>>>> altogether new or different...
>>>>
>>>> In my experience, my own photography for my book, comprising almost
>>>> all film images, I found the honest documentation of children in  
>>>> the
>>>> hospital a conscious, ongoing struggle every step of the way.
>>>>
>>>> Accurate and honest depiction of the child's reality was the goal,
>>>> but
>>>> necessarily included getting people to look...
>>>>
>>>>
>>>> Steve
>>>>
>>>>
>>>>
>>>>
>>>> "I never wanted to be famous"
>>>>
>>>> www.blurb.com
>>>>
>>>>
>>>>
>>>>
>>>>> Perhaps in academics there is a language for this but I haven't
>>>>> come across it.  There is a new animal in the forest and I'm  
>>>>> trying
>>>>> to understand what it eats.
>>>>>
>>>>> At 07:49 AM 3/12/2008, you wrote:
>>>>>> A great many of the worlds greatest photographic images have come
>>>>>> from very
>>>>>> difficult negatives.
>>>>>> Difficult as in way over or under exposed;
>>>>>> Not in focus or otherwise soft.
>>>>>> Poorly composed.
>>>>>> A decent image was made from them with someone in the darkroom  
>>>>>> who
>>>>>> knew what
>>>>>> they were doing.
>>>>>> Now its a bit easier to do those things.
>>>>>> And by a lot more people.
>>>>>> So what?
>>>>>>
>>>>>> A lot more people have Photoshop and are good at it than had
>>>>>> darkrooms and
>>>>>> were good at it.
>>>>>>
>>>>>> This offends the small proud darkroom club.
>>>>>> Those of us who were able to swing darkrooms.
>>>>>>
>>>>>> I for one am very glad that photography has been made more
>>>>>> democratic.
>>>>>> If that's the word.
>>>>>> More for everybody.
>>>>>> Not just those who could swing darkrooms.
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> Mark William Rabiner
>>>>>> markrabiner.com
>>>>>>
>>>>>>
>>>>>>
>>>>>> _______________________________________________
>>>>>> Leica Users Group.
>>>>>> See http://leica-users.org/mailman/listinfo/lug for more
>>>>>> information
>>>>>
>>>>> Chris Saganich, MS, Sr. Physicist
>>>>> Weill Medical College of Cornell University
>>>>> New York Presbyterian Hospital
>>>>> chs2018@med.cornell.edu
>>>>> http://intranet.med.cornell.edu/research/health_phys/
>>>>> Ph. 212.746.6964
>>>>> Fax. 212.746.4800
>>>>> Office A-0049
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Leica Users Group.
>>>>> See http://leica-users.org/mailman/listinfo/lug for more  
>>>>> information
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> _______________________________________________
>>>> Leica Users Group.
>>>> See http://leica-users.org/mailman/listinfo/lug for more  
>>>> information
>>>
>>> Chris Saganich, MS, Sr. Physicist
>>> Weill Medical College of Cornell University
>>> New York Presbyterian Hospital
>>> chs2018@med.cornell.edu
>>> http://intranet.med.cornell.edu/research/health_phys/
>>> Ph. 212.746.6964
>>> Fax. 212.746.4800
>>> Office A-0049
>>>
>>>
>>> _______________________________________________
>>> Leica Users Group.
>>> See http://leica-users.org/mailman/listinfo/lug for more information
>>
>> Steve
>>
>> "I never wanted to be famous"
>> now available at www.blurb.com
>>
>> kididdoc@cox.net
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> _______________________________________________
>> Leica Users Group.
>> See http://leica-users.org/mailman/listinfo/lug for more information
>
> Chris Saganich, MS, Sr. Physicist
> Weill Medical College of Cornell University
> New York Presbyterian Hospital
> chs2018@med.cornell.edu
> http://intranet.med.cornell.edu/research/health_phys/
> Ph. 212.746.6964
> Fax. 212.746.4800
> Office A-0049
>
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information

Steve

"I never wanted to be famous"
now available at www.blurb.com

kididdoc@cox.net

















In reply to: Message from amr3 at uwm.edu (amr3@uwm.edu) ([Leica] Not Buying M8)
Message from mark at rabinergroup.com (Mark Rabiner) ([Leica] Not Buying M8)
Message from chs2018 at med.cornell.edu (Chris Saganich) ([Leica] Not Buying M8)
Message from kididdoc at cox.net (Steve Barbour) ([Leica] Not Buying M8)
Message from chs2018 at med.cornell.edu (Chris Saganich) ([Leica] Not Buying M8)
Message from kididdoc at cox.net (Steve Barbour) ([Leica] Not Buying M8)
Message from chs2018 at med.cornell.edu (Chris Saganich) ([Leica] Not Buying M8 (For Steve B))