Archived posting to the Leica Users Group, 2009/02/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> > One of the rights accorded to the owner of copyright is the right to > reproduce or to authorize others to reproduce the work in copies or > phonorecords. This right is subject to certain limitations found in > sections > 107 through 118 of the Copyright Act (title 17, U. S. > Code<http://www.copyright.gov/title17/92chap1.html#107>). > One of the more important limitations is the doctrine of "fair use." > Although fair use was not mentioned in the previous copyright law, the > doctrine has developed through a substantial number of court decisions over > the years. This doctrine has been codified in section 107 of the copyright > law. > > Section 107 contains a list of the various purposes for which the > reproduction of a particular work may be considered "fair," such as > criticism, comment, news reporting, teaching, scholarship, and research. > Section 107 also sets out four factors to be considered in determining > whether or not a particular use is fair: > > 1. > > the purpose and character of the use, including whether such use is of > commercial nature or is for nonprofit educational purposes; > 2. > > the nature of the copyrighted work; > 3. > > amount and substantiality of the portion used in relation to the > copyrighted work as a whole; and > 4. the effect of the use upon the potential market for or value of the > copyrighted work. > > The distinction between "fair use" and infringement may be unclear and not > easily defined. There is no specific number of words, lines, or notes that > may safely be taken without permission. Acknowledging the source of the > copyrighted material does not substitute for obtaining permission. > > The 1961 *Report of the Register of Copyrights on the General Revision of > the U.S. Copyright Law* cites examples of activities that courts have > regarded as fair use: "quotation of excerpts in a review or criticism for > purposes of illustration or comment; quotation of short passages in a > scholarly or technical work, for illustration or clarification of the > author's observations; use in a parody of some of the content of the work > parodied; summary of an address or article, with brief quotations, in a > news > report; reproduction by a library of a portion of a work to replace part of > a damaged copy; reproduction by a teacher or student of a small part of a > work to illustrate a lesson; reproduction of a work in legislative or > judicial proceedings or reports; incidental and fortuitous reproduction, in > a newsreel or broadcast, of a work located in the scene of an event being > reported." > > Copyright protects the particular way an author has expressed himself; it > does not extend to any ideas, systems, or factual information conveyed in > the work. > > The safest course is always to get permission from the copyright owner > before using copyrighted material. The Copyright Office cannot give this > permission. > > When it is impracticable to obtain permission, use of copyrighted material > should be avoided unless the doctrine of "fair use" would clearly apply to > the situation. The Copyright Office can neither determine if a certain use > may be considered "fair" nor advise on possible copyright violations. If > there is any doubt, it is advisable to consult an attorney. > > FL-102, Revised July 2006 > ------------------------------ > > Home <http://www.copyright.gov/> | *Contact > Us*<http://www.copyright.gov/help/> | > *Legal Notices* <http://www.loc.gov/homepage/legal.html> | *Freedom of > Information Act (FOIA)* <http://www.copyright.gov/foia/> | *Library of > Congress* <http://www.loc.gov/> > > U.S. Copyright Office > 101 Independence Avenue SE > Washington, DC 20559-6000 > (202) 707-3000 > > > > > Lawrence Zeitlin wrote: > >> This morning the CBS TV show "Sunday Morning" featured the work of Shepard >> Fairy, the street artist whose rip off of the AP photo of Barack Obama >> sparked a lawsuit. While not exactly condoning Fairy's actions, the story >> tried to justify the point that artists were free to violate the copyright >> laws if it was done in the name of art. Examples used included Andy >> Warhol's >> Campbell Soup can and Marcel Duchamp's Mona Lisa with a moustache. Apart >> from the inconvenient fact that the Mona Lisa was never copyrighted, does >> the LUG consider this "Fair Use." Could I take one of Gee Bee's pictures >> of >> the Lake Country, stick a sunflower on it, and call it 'Kansas as it >> should >> be." >> >> How much alteration of an image does the LUG think is necessary before a >> work can be considered original and not derivative? Is it the actual image >> that is important or the artist's or photographer's intent? As a point of >> reference, my wife, who is a well respected artist, refuses to paint from >> a >> photograph which she, herself, has not taken. She won't even paint from >> any >> of mine. (I hope this is a tribute to her sterling character and not a >> critique of my photographs.) >> >> Larry Z >> >> > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > -- Regards, Sonny http://www.sonc.com http://sonc.stumbleupon.com/ Natchitoches, Louisiana USA