Archived posting to the Leica Users Group, 1998/12/16

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Subject: RE: [Leica] Evercolor
From: "Kotsinadelis, Peter (Peter)" <peterk@lucent.com>
Date: Wed, 16 Dec 1998 13:10:17 -0800

Alexey,

If you read Rowell's book, the reason he switched was because HE felt the
color of Velvia to be mroe accurate and better in saturation. (That was his
opinion Alexey, so let's leave it at that.)

Peter K

- -----Original Message-----
From: Alexey Merz [mailto:alexey@webcom.com]
Sent: Wednesday, December 16, 1998 3:33 AM
To: leica-users@mejac.palo-alto.ca.us
Subject: Re: [Leica] Evercolor


From: Gib Robinson <robinson@sfsu.edu>
>By the way, while I was impressed by the Evercolor printing process, 
>I was struck by a number of what, to my eyes, are the limitations in
>Rowell's photographs.  First, he uses Velvia exclusively which means
>he accepts heavily saturated landscapes.

The vast majority of his older work (which includes his most famous
images) was shot on various Kodachromes. But for what it's worth,
Rowell often works at high altitude and under alpenglow-producing 
conditions, in which colors really *are* very saturated, even 
without Velvia. I'd guess that Rowell's switch from Kodachrome to 
Velvia has as much to do with the latter's longer longer exposure 
scale (in particular its ability to hold highlight detail) as with
its saturation. 

- -Alexey
..........................................................................
Alexey Merz | URL: http://www.webcom.com/alexey | email: alexey@webcom.com
            | PGP public key: http://pgp5.ai.mit.edu/ | voice:503/494-6840
            | ...A democracy becomes hopelessly weak. and the general good
            | suffers accordingly, if its higher officials, bred up to
            | despise it, and necessarily drawn from those very classes 
            | the dominance of which it is pledged to destroy, serve it
            | only half-heartedly....     - Marc Bloch, 1940