Archived posting to the Leica Users Group, 1999/01/21

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Subject: Re: [Leica] Ansel Adams Has Gone West
From: Walter S Delesandri <walt@jove.acs.unt.edu>
Date: Thu, 21 Jan 1999 08:40:34 -0600 (Central Standard Time)

  Part of the question was who owned the photograph....was Adams actually 
working for the DOI when the photo was shot?  If so, was a level of uncertainty 
an asset to Adams?  

If I ever did ANYTHING of value (doubtful! :) !)  I sure as HELL wouldn't advertise 
the fact that I did it on someone else's "CLOCK" -- no, siree, I did it on vacation
on my OWN shit......I OWN it!!! -- 

It is doubtful that even Adams (a much more reliable businessman than ANY of his 
peers) could have know the future value of a negative at the time of exposure....
but if he did, it would have been VERY wise to keep that time/date vague, IF he 
was on contract to the DOI at the time.  

INTERESTING!!

WAlt
y
On Thu, 21 Jan 1999 09:15:42 -0500 Jeffrey Hausner 
<Buzz@marianmanor.org> wrote:Pa
> 
> 
> > -----Original Message-----
> > From:	George Huczek [SMTP:ghuczek@sk.sympatico.ca]
> > Sent:	Wednesday, January 20, 1999 6:02 PM
> > To:	leica-users@mejac.palo-alto.ca.us
> > Subject:	[Leica] RE:  Ansel Adams, Yosemite NP, and Moonscapes
> > 
> > At 08:05 AM 20/01/99 -0500, Jeffrey wrote:
> > >I may be missing something here, but who cares and why does it matter?
> > Is
> > >there some speculation that he "faked" it? 
> > 
> > Jeffrey:
> >    You are missing something here.  Photo history is important to some.
> > It
> > matters in the same way as it matters when a painter produced a particular
> > painting.  To some, there is a need to know these things.
> > 
> 	Granted.  I don't know much about the study of art history, do
> people actually spend time and effort trying to figure out exactly where in
> Giverney and at what hour, o.k., hours, Monet painted the water lilies?  Do
> they want to know exactly which Sunday in the Park with George (Seurat)?
> Strikes me as crazy but, hey, that's me.
> 
> >    Someone else posted that "Adams had not been forthcoming with the date
> > and time."  Well, not exactly...
> > The issue is not whether or not he faked it, but _when_ it was made.  I
> > think Beaumont Newhall had to correct Adams on several occasions about the
> > first date of publication of some of his images.  For more on this, see
> > "Examples: The Making of 40 Photographs" by Adams.  
> >    Adams states, "Because of the unfortunate disregard for the dates of my
> > negatives I have caused considerable dismay among photographic historians,
> > students, and museums -- to say nothing of the trouble it has caused me.
> > 
> 	Adams is, alas, no longer with us.  I just don't see why the woes
> should haunt us to this day.
> 
> > _Moonrise_ is a prime example ... It has been listed as 1940, 1941 ... At
> > the suggestion of Beaumont Newhall, Dr. David Elmore of the High Altitude
> > Observatory at Boulder, Colorado, put a computer to work on the problem.
> > Using data from a visit to the site, analysis of the moon's position in
> > the
> > photograph, and lunar azimuth tables, he determined that the exposure was
> > made at approximately 4:05 P.M. on October 31, 1941." (p.43, Examples)
> > 
> 	APPROXIMATELY  4:05 p.m. on October 31, 1941!?!?!?!
> 
> >    Whoever posted this first query mentioned an article appearing recently
> > in a newspaper or magazine regarding this.  If so, it may be a
> > re-examination of Elmore's analysis, but the first actual dating took
> > place
> > many years ago, and the issue has probably been settled to (almost)
> > everyone's satisfaction.
> > 
> 	Thank God!
> 
> 		Buzz
> 
> 
> 
>