Archived posting to the Leica Users Group, 1999/01/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Maria Speroni wrote: >I'm trying to decide which 50mm M lens to get. I've perused the LUG >archives but I have an interesting (imho) twist to the dilemma that, as >far as I know, has not been covered already. As you might predict, I >have been recommended the 50/2 as it's the sharpest 50 out there, but >when one person said "in the same league as the 35/1.4 ASPH in every >way", I hesitated. The reason is that I have had two 35/1.4 ASPH, both >sold because I ended up prefering the images from my 35/2 non-asph. >While the images from the 35/1.4 ASPH were indeed very sharp, especially >wide open, it lacked the "3-D" and pleasant out-of-focus rendition of my >classic 35/2. Check out Alfred Breull's comments on the relative merits of the various 50mm lenses: LUG digests v02.n300, v02.n302, v02.n304 (April '98). Note that he prefers the rigid chrome Summicron, which has the same optics as the DR Summicron. I have a DR Summicron and just love the pictures it takes, and have never been disappointed with the quality of its out-of-focus rendition. You can see a couple of scans of pictures I took with the DR Summicron at: ftp://ftp.std.com/pub/pieter -- Sunflower.jpg and CableReels.jpg. The scans are pretty mediocre and don't begin to do justice to the 3-dimensional quality of the Kodachrome originals, but they do give some idea of the 50 DR's out-of-focus rendition. I also have the fourth version of the 35mm Summicron (last pre-asph. version) and find it to be contrastier than the 50 DR, especially wide open. The out-of-focus renditions of these lenses are equally agreeable. Hope this helps. - -- Pieter Bras