Archived posting to the Leica Users Group, 2000/01/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Chandos: Kubrick used a couple of lenses for "Barry Lyndon" which I believe were F 0.7. I think they were NASA lenses which he had adapted to the camera they were using. I have the American Cinematographer magazine article at work and will check for details. Mike D - -----Original Message----- From: Chandos Michael Brown <cmbrow@mail.wm.edu> To: leica-users@mejac.palo-alto.ca.us <leica-users@mejac.palo-alto.ca.us> Date: Tuesday, January 25, 2000 10:44 PM Subject: Re: [Leica] Re: Noctilux Result???? >Uh . . . I am deeply confused. I thought that Kubrick employed the .95 to >shoot candlelit scenes in -Barry Lyndon-. > >Chandos > > >At 08:44 PM 1/25/2000 -0500, you wrote: > >> > <<<The F1.0 Noctilux made it appearance in 1976.>>>>>> >> > >> > I owned and was using a Noctilux f 1.0 in 1967 and have used the same lens >> > since! And with quite startlingly good results. You may have made a typo >>on >> > the date. Is that possible? >> > >> > As far as an, "apple and oranges comparison?" I think not, as there really >> > isn't any comparison to the Noctilux. Yes there is the Canon f.1.0 and the >> > f.0.95, but neither are in the same league as the Noctilux. It stands >> > completely on it's own without comparison. >> > >> > And after 33 years experience with this lens I wouldn't touch any other >>50mm >> > lens! Yep some maybe crisper looking under some conditions, but it doesn't >> > matter, as they don't look like anything at f.1.0 when you need it and >>they >> > don't have it. >> >>Ted, >> >>Eastland, in the Leica M Compendium, says that the 50mm F1.0 Noctilux was >>introduced in 1976 while the F1.2 Noctilux was introduced in 1966. >> >>My point was that optical science, as well as the manufacturing abilities of >>a camera/lens manufacturer, change and improve over time. No argument that >>the F1.2 or 1.0 Noctilux are both much better than either of the two Canon's >>we're talking about, but they better be considering they were designed years >>later. >> >>BTW, I too recently watched "Tom Jones" and was so impressed with some of >>the dim-light scenes that were shot with the Canon F0.95 lens, that I >>recently picked up the TV version of this lens, in a c-mount, which I plan >>to mount on a movie or video camera. It only cost me a $110.00 so I >>couldn't pass it up. >> >>Jim Bielecki >> > > > >Chandos Michael Brown >Assoc. Prof., History and American Studies >College of William and Mary > >http://www.wm.edu/CAS/ASP/faculty/brown > >