Archived posting to the Leica Users Group, 2000/08/29

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Subject: Re: [Leica] Personal portfolios of misery
From: "Bob Walkden" <bobwalkden@hotmail.com>
Date: Tue, 29 Aug 2000 22:59:55 BST

Hi,

Nachtwey and Smith amd most, if not all, of the great documentary 
photographers have a clearly defined purpose in taking their photographs. So 
far I don't think we've heard from the photographer any reason why he is 
taking these 'cutting' pictures - although we've heard a lot of assumptions 
about it from other people.

What purpose will the pictures serve, and to what use will they be put? It 
seems to me that these are the first answers we need before we rush to any 
kind of judgement.

David Hurn of Magnum, in 'On being a photographer' has a lot of useful 
advice about choosing a subject, including the following: "Eliminate those 
subjects about which you are ignorant, at least until you have conducted a 
good deal of research into the topic. For example, you are not contributing 
anything to the issue of urban poverty by wandering back streets and 
snatching pictures of derelicts in doorways. That's exploitation, not 
exploration."

Regards,

Bob

>From: Paul Chefurka <Paul_Chefurka@pmc-sierra.com>
>
>I'm not sure I understand you here, Jim.  Where do you draw your line and
>say "this is OK, that isn't" in cases like this?  Is Natchwey's "Inferno"
>not a personal portfolio, and based on the individual misery of many 
>people?
>What about "Minimata" - that essay violates the fine art/misery 
>proscription
>pretty handily.
>
>Lots and lots of photo essays have been done of people in desperate 
>physical
>or mental misery.  Many of these have raised the awareness of folks like 
>me,
>who don't come in contact with such situations very often.  And these have
>been done by photographers as personal work, with no medical intent, purely
>one of expanding the awareness of viewers.
>
>In a way I'm amazed by the strength of the negative reaction this has
>generated.  To me, it's honest work about a difficult subject - one that is
>sufficiently important for people to think about that a visual prod like
>this is totally appropriate.
>
>So, respectfully, I disagree.

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Replies: Reply from Mark Rabiner <mark@rabiner.cncoffice.com> (Re: [Leica] Personal portfolios of misery)