Archived posting to the Leica Users Group, 2002/03/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I can't recall seeing that paper, let alone using it. When I came back, I went from Agfa to Dupont, and back to Agfa. Now, I'm using Ilford FB warmtone, and Zone VI. I can't get the same results in my prints that I was getting from my negs back in the early 70's, and earlier. I'm also working on setting up a regular timetable to print up my vintage prints before it's too late. I feel that the manufacturers are going to bug out on us without much warning. I have little trust in the business community. Slobodan Dimitrov Gary Todoroff wrote: > > Slobadan - sounds like we have similar histories in B&W printing. Do you or > anyone else on the LUG know whatever happened to the Kodak European paper > called Bromesko? It was standard commercial darkroom paper where I worked in > Stockholm, and I grew to love its tone and scale. Some people said that is > was the same as the USA Kodabromide, but they did not match at all. > > Am getting ready for some major darkroom B&W printing and am wondering what > ever happened to my old friend, Bromesko! > > Regards, > Gary Todoroff > Tree LUGger > > ---- Original Message ----- > From: S Dimitrov <sld@earthlink.net> > > . . . Myself, I learned to print in Europe, Germany to be precise, while > > working with a German photographer for a couple of years. . . > > -- > To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html