Archived posting to the Leica Users Group, 2002/04/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Felix: The 50mm lens, either the Noctilux at night or the Summicron during the day was my most used lens. Regards, Robert At 03:00 PM 4/11/2002 -0400, you wrote: >Robert, great pictures you have there. I enjoyed viewing them a lot. >What was your most used lens. From the arsenal that you had. :) > >Regards >Felix Erazo >www.thrutheviewfinder.com > >-----Original Message----- >From: owner-leica-users@mejac.palo-alto.ca.us >[mailto:owner-leica-users@mejac.palo-alto.ca.us] On Behalf Of Robert G. >Stevens >Sent: Wednesday, April 10, 2002 11:57 PM >To: leica-users@mejac.palo-alto.ca.us; leica-users@mejac.palo-alto.ca.us >Subject: Re: [Leica] More Paris Pictures > >Olivier: > >The film for all the B&W pictures on the B&W page was Tmax 400 rated at >400, developed in Xtol 1:1 at Kodak's recommended time. I use a Jobo >ATL-1000, but I also have used a Jobo tank and hand inversion. I used >Kodak's times here as well. > >All of my Paris shots were done with the M cameras. I had two M3 , M6 >and >a M6TTL. The lenses were 35mm, 50mm, 75mm, 24mm, and 135mm. All were >Leica lenses. I had both a Noctilux and a 50mm Summicron along. I used > >the Summicron during the day and the Noctilux at night. I would use the > >.85 M6TTL with the 75mm Summilux and the M3 with the Noctilux for the >night >shooting. The two M3 stayed in Paris when fellow LUG members liked them > >too much to let me take them home > >Some of the tonality can be the scanning process. It took me a bit of >practice to get it right. It sometimes helps to scan in Color then in >Photoshop convert to grey scale after you get the tones close. If you >fear >the problem is your negatives, you may be too aggressive in your >agitation. > >Regards, > >Robert > > >At 11:14 PM 4/10/2002 -0400, Olivier T. Nguyen wrote: > >Hi Robert, > >Would you please post some line along with your picture such as camera, > >lens, film, exposure time, and developer etc. Would you please share >to me > >your technique of developing your negative please? i like the way your > >picture come out. smooth tonality. Sorry, if i ask for too much. My > >negative does not come out like this at all. i don't know is that the >way i > >expose the film or it is the way I developt the film. > >I love all of LUG pictures here because they have very very smooth >tonality. > >not too much dark and not too much light and very smooth tonality. love >it. > > > >Olivier > > > > > > > > http://home.istar.ca/~robsteve/photography/Paris/BW/index.htm > >-- >To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html > > >_________________________________________________________ >Do You Yahoo!? >Get your free @yahoo.com address at http://mail.yahoo.com > >-- >To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html