Archived posting to the Leica Users Group, 2003/12/11

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Subject: RE: [Leica] The fine line between art and pornography
From: Tina Manley <images@InfoAve.Net>
Date: Thu, 11 Dec 2003 14:36:46 -0500
References: <" <B1980F9FBE18D511BB6200508BB1E2ED08536A19"@nssczeusex6.navsea.navy.mil>

At 11:39 AM 12/11/2003 -0700, you wrote:

>So which subjects are the exploited objects?
>
>When we take a photograph we so often do just that - we "take" something -
>how equitable is the exchange?
>
>tim

And we come back around to this subject again.  There is exploitation and 
there using photography to make a difference.  Salgado refers to his work 
as "militant photography" and he got into it after a career as an economist 
because he thought he could make more of a difference with photography.  Do 
you really think the gold miners or subsistence farmers or aids victims in 
Africa are exploited because Salgado photographed them and brought 
attention to their situations?

 From the Socialist Review (!):

What angers some people is that these are beautiful pictures--as if that is 
an offence against their subjects and a way of making misery aesthetically 
pleasing. Salgado's own answer to the criticism is to say, 'I wanted to 
respect the people as much as I could, to work to get the best composition 
and the most beautiful light... If you can show a situation this way--get 
the beauty and the nobility along with the despair--then you can show 
someone in America or France that these people are not different.'


Tina

Tina Manley, ASMP
www.tinamanley.com


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