Archived posting to the Leica Users Group, 2006/10/30

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Subject: [Leica] Epson R-D1 vs. M8? Chimping
From: s.dimitrov at charter.net (Slobodan Dimitrov)
Date: Mon Oct 30 14:13:02 2006
References: <5f1be6b50610291830t3575d1cej5c4e9c524a1edb34@mail.gmail.com> <C53F5B7C-71E8-439A-A78A-18040FBF061C@mac.com> <33853705-161D-44E1-AD1F-9DF1B5A4BA33@charter.net> <45465D40.4030409@waltjohnson.com> <5B6E2F02-0A83-43ED-92D5-D1A67506A1FF@charter.net> <45466C3B.9050600@waltjohnson.com>

Each generation discovers whatever tools (along with the added  
mannerism the tool creates) are available to it to make sure they get  
the job done.
As a matter of point, Walt, you're from the Nikon Head Banger  
generation, aren't you? And.......what was your generation's  
contribution to the 'decline of pure photography'? THE MOTOR DRIVE!!!
I can remember heated arguments in the late 60's and early 70's of  
whether one could take meaningful images with a motor drive. One of  
the truism from the period was that only hacks used 'drives, because  
they serialized their images for better looking proof sheets, never  
mind the shot. One knew they were pros because of the uniformity of  
their proof sheet images.  But, that's an argument from another day!

Slobodan Dimitrov




On Oct 30, 2006, at 1:18 PM, Walt Johnson wrote:

> Slobodan
>
> I guess I should have said Adams and Caponigro needed Polaroids  
> like a hole in the head. The father and little brother of  
> previsualization were not chimpers. Couple of years back about 7 of  
> us old timers got together for a baseball game. Probably 200 years  
> of combined experience as photo staffers at some pretty big  
> dailies. We sat there and discussed the "chimper" from Japan  
> covering his hometown Tokyo pitcher. How the heck can you get the  
> darn image while hunting it in your little black box? :-)    To  
> each his own but if you don't know what you've gotten when you  
> squeeze it off then maybe still life is your calling? I'd go for a  
> Rapidwinder over a chimp screen any day.
>
> Slobodan Dimitrov wrote:
>
>> Jeesh, Walt! Which part didn't you get?
>>
>> Slobodan Dimitrov
>>
>>
>>
>>
>> On Oct 30, 2006, at 12:14 PM, Walt Johnson wrote:
>>
>>> Do you really think Adams or Caponigro needed a Polaroid to tell   
>>> them about the final product? The may well have needed a few  
>>> bucks  and promoted the product but other than that?
>>>
>>> Slobodan Dimitrov wrote:
>>>
>>>> Well, it depends. Let's say you're covering an event, wedding,    
>>>> conference, whatever. That means you'll have to do a number of   
>>>> set  pieces, usually anywhere from a just a few to more than a   
>>>> dozen. By  checking, as opposed to thinking that you might of   
>>>> gotten your shots,  you'll know if you have your shot or not.  
>>>> It  allows for much greater  time management efficiency.
>>>> This was always a goal of the working photographer, enhanced    
>>>> certitude. Don't think that Adams and Caponigro's work for   
>>>> Polaroid  was for just for taking home a pay check. What they  
>>>> did  at Polaroid  allowed for another evolution in photography.  
>>>> That  peel apart  material was not only the main stay of the  
>>>> commercial  photographic  studio, indoor and outdoor, but also  
>>>> with the fine  art shooters.
>>>> In fine art photography, they didn't skip a beat, when they  
>>>> tied  up  their view cameras to a laptop for scenic work from  
>>>> the very   beginning of the introduction of digital imaging  
>>>> products.
>>>> All for the specific point of a need to know at the time of  
>>>> the   imaging act itself.
>>>>
>>>> Slobodan Dimitrov
>>>>
>>>>
>>>>
>>>>
>>>> On Oct 30, 2006, at 8:48 AM, Lottermoser George wrote:
>>>>
>>>>> As with most opinions about things photographic - no correct   
>>>>> answer  for all situations. There are times when checking your   
>>>>> results  makes more sense than not; and there are times when  
>>>>> the   photographer should focus their attention on  
>>>>> photographing. To   write off the availability of a technical  
>>>>> check capability - or  the  possibility of knowing whether you  
>>>>> achieved success in your  goals  makes little sense to me.
>>>>>
>>>>> Regards,
>>>>> George Lottermoser
>>>>> george@imagist.com
>>>>>
>>>>>
>>>>>
>>>>> On Oct 29, 2006, at 8:30 PM, David Keenan wrote:
>>>>>
>>>>>> I really do think chimping it is a goofy practice.
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Leica Users Group.
>>>>> See http://leica-users.org/mailman/listinfo/lug for more  
>>>>> information
>>>>
>>>>
>>>>
>>>> _______________________________________________
>>>> Leica Users Group.
>>>> See http://leica-users.org/mailman/listinfo/lug for more  
>>>> information
>>>>
>>>
>>> _______________________________________________
>>> Leica Users Group.
>>> See http://leica-users.org/mailman/listinfo/lug for more information
>>
>>
>> _______________________________________________
>> Leica Users Group.
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>>
>
> _______________________________________________
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Replies: Reply from walt at waltjohnson.com (Walt Johnson) ([Leica] Epson R-D1 vs. M8? Chimping)
In reply to: Message from ausdlk at gmail.com (David Keenan) ([Leica] Epson R-D1 vs. M8? Chimping)
Message from imagist3 at mac.com (Lottermoser George) ([Leica] Epson R-D1 vs. M8? Chimping)
Message from s.dimitrov at charter.net (Slobodan Dimitrov) ([Leica] Epson R-D1 vs. M8? Chimping)
Message from walt at waltjohnson.com (Walt Johnson) ([Leica] Epson R-D1 vs. M8? Chimping)
Message from s.dimitrov at charter.net (Slobodan Dimitrov) ([Leica] Epson R-D1 vs. M8? Chimping)
Message from walt at waltjohnson.com (Walt Johnson) ([Leica] Epson R-D1 vs. M8? Chimping)