Archived posting to the Leica Users Group, 2007/06/01

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Subject: [Leica] Sarah plays Haydn
From: hoppyman at bigpond.net.au (G Hopkinson)
Date: Fri Jun 1 00:06:51 2007
References: <5.1.0.14.2.20070531211038.00ba96a0@mail.2alpha.com>

Peter, the first is my favourite. The profile and evident attentive posture 
make it for me. The reflections would be trivial to
remove from the digital file, if they bothered you. I don't imagine that 
fiddling with a polariser would be very practical in that
scenario.

Cheers
Hoppy

-----Original Message-----
From: lug-bounces+hoppyman=bigpond.net.au@leica-users.org 
[mailto:lug-bounces+hoppyman=bigpond.net.au@leica-users.org] On Behalf Of
Peter Klein
Sent: Friday, 1 June 2007 15:56
To: lug@leica-users.org; leica@freelists.org
Subject: [Leica] Sarah plays Haydn

Sarah, about to play the Haydn D Major Cello Concerto:
<http://users.2alpha.com/~pklein/musicians/SarahHaydn1480-04.htm>

And in the thick of it:
<http://users.2alpha.com/~pklein/musicians/SarahHaydn1480-07.htm>
<http://users.2alpha.com/~pklein/musicians/SarahHaydn1480-10.htm>

M6TTL, Tri-X, 90mm Summicron, 6 megabyte scans from Panda B&W lab in 
Seattle.  The last one is at either 1/30 or 1/15 second to blur the bow and 
finger movement.

Sorry about the reflections. I'm wondering if I ought to start bringing a 
polarizer to concerts, but that carries a 1.3 stop penalty, plus the danger 
of making scraping noises at inappropriate times.

--Peter


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In reply to: Message from pklein at 2alpha.net (Peter Klein) ([Leica] Sarah plays Haydn)