Archived posting to the Leica Users Group, 2010/08/24

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Subject: [Leica] more on the Earl Brooks vs. AA negatives
From: mark at rabinergroup.com (Mark Rabiner)
Date: Tue, 24 Aug 2010 22:50:07 -0400

You are assuming Ken that this bears some relevance to the way the fine art
gallery market is structured but Norsigian seems to have a faint idea of it.
That was evident weeks ago.  He probably looked up how things are conducted
on the internet which is way different from the traditional gallery scene
and traditional existing gallery market.  He was painting walls before he
came upon this cache of so called Adams negs.
But if you do some searching limiting your search to legitimate galleries
which are real buildings with and have more than an internet address but a
street address you've find the discrepancy between inkjet pricing and
gelatin silver print pricing is often minimal with many of the best people.
(the ones who call their Mom's weekly.)
I had the quote about the negative is the score and the print the
performance on my desk a few weeks ago I have this in mine often but also
have in the back in my mind that in classical music the definitive recording
to get of most modern serious pieces of music is not the one with the
composer of the score conducting. Its almost always someone else. And quite
a few composers are not well thought of as interpreters of their own work.
This might have minimal bearing on the photography market. As in Graphics
the idea of someone else taking over your plates or negs and doing a run
after your dead is very very rare to medium rare. I cant think of any other
exceptions than Edward Weston and his sons.

--------------------
Mark William Rabiner
Photography
mark at rabinergroup.com


> From: Ken Carney <kcarney1 at cox.net>
> Reply-To: Leica Users Group <lug at leica-users.org>
> Date: Tue, 24 Aug 2010 19:14:10 -0500
> To: Leica Users Group <lug at leica-users.org>
> Subject: Re: [Leica] more on the Earl Brooks vs AA negatives
> 
>   Interesting that a "digital" 16x20 print (inkjet?) is $1,500, but a
> "silver gelatin darkroom print" is $7,500.  Presumably both unsigned
> :).  Now I'm sorry I closed the darkroom.
> 
> Ken Carney
> 
> On 8/24/2010 3:16 PM, George Lottermoser wrote:
>> <http://www.huffingtonpost.com/2010/08/24/ansel-adams-trust-sues-ov_n_692750.
>> html>
>> 
>> Regards,
>> George Lottermoser
>> george at imagist.com
>> http://www.imagist.com
>> http://www.imagist.com/blog
>> http://www.linkedin.com/in/imagist
>> 
>> 
>> 
>> 
>> 
>> 
>> _______________________________________________
>> Leica Users Group.
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>> 
> 
> 
> _______________________________________________
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Replies: Reply from kcarney1 at cox.net (Ken Carney) ([Leica] more on the Earl Brooks vs. AA negatives)
Reply from richard at imagecraft.com (Richard Man) ([Leica] more on the Earl Brooks vs. AA negatives)
In reply to: Message from kcarney1 at cox.net (Ken Carney) ([Leica] more on the Earl Brooks vs AA negatives)