Archived posting to the Leica Users Group, 2011/04/29

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Subject: [Leica] OT - Wet Darkroom Wizards
From: mark at rabinergroup.com (Mark Rabiner)
Date: Sat, 30 Apr 2011 02:18:30 -0400

I'm happy about histograms and staying out of the wet room.


--------------------
Mark William Rabiner
Photography
http://gallery.leica-users.org/v/lugalrabs/
mark at rabinergroup.com
Cars:   http://tinyurl.com/2f7ptxb




> From: Ken Carney <kcarney1 at cox.net>
> Reply-To: Leica Users Group <lug at leica-users.org>
> Date: Fri, 29 Apr 2011 20:05:50 -0500
> To: Leica Users Group <lug at leica-users.org>
> Subject: Re: [Leica] OT - Wet Darkroom Wizards
> 
> The only thing I could add is the obvious, to use just a few
> film/developer combinations until you know what you will get under
> various lighting conditions.  There is just so much you can do with roll
> film.  Until the Digital Age, most of my photo work was with large
> format.  My Pentax spotmeter is covered with various film speeds for
> just a few film/developer combinations.   After a while it was second
> nature to expose TriX or TMax100 with various film speeds for a
> particular developer/time (yes the zone system).  Thank God for digital
> and that histogram thing on the back of the cameras.
> 
> Ken
> 
> On 4/29/2011 5:43 PM, Mark Rabiner wrote:
>> Larry! It's rare I see a post on the lug which agrees with my position on
>> film developing and yours here really does.
>> What should kept in mind is this person of course did not expose this 400
>> film at 100 on purpose. As if  they did they'd not be asking for advice on
>> dev times.
>> 
>> 1. The first culprit as I see it is the long ongoing attitude since the
>> Speed Graphic days that in black and white neg shooting a little more
>> exposure is never  a bad idea. When in doubt give it another stop. In roll
>> film this turns out to be not just not so great advice it really is just
>> really bad advice.. An under exposed neg can still get you a gallery 
>> quality
>> image. In the darkroom an over espoused neg will have you going through a
>> full box of paper and you'll never get it right.
>> In these days of scanning though I think you  make a raw scan of such an
>> over exposed neg and you are in the no problemo department as far a 
>> crafting
>> a quality image from that negative. As the crushed high areas can be
>> separated out without much problem in Photoshop and I'd think even
>> Lightroom.
>> The modern way this problem appears is not a retro over exposure ideal;
>> but a smug value held by photo intermediates.  These are The Pullers. 
>> Their
>> manifesto is that most films are over rated and need to have their ISO's 
>> cut
>> in half.  They know that Tri x is really iso 200 and so on and they feel
>> sorry for all the dumb masses rating it at 400 as they'll never no what
>> quality results are all about. They know not what they do. They are the
>> modern day ascetics. Winning through shooting at f 30th when a 60'th is 
>> all
>> it needs.
>> The result make for over exposing everything .
>> As Tri x really is 400 and most films have ratings on the box fairly right
>> on the money with most developer dilution combinations.
>> Pulling is over exposing with some under developing to keep the contrast
>> manageable. You've crushed the high tones. And the only way to un crush 
>> them
>> is with some intermediate scanning technique.
>> 
>> 2. A second culprit is The Massive Dev Pie Chart...
>> Who are providing information not misusing it. But its format seems to 
>> lead
>> to that. Misused by a typical internet photo geek not someone who had 
>> taken
>> real world photo classes or read real photo books its like:
>> "Gee I'll shoot Tmax 100 today rated at 400 and shoot Tmax 400 tomorrow 
>> and
>> rate it at 100 and read the times off the times in this chart!"
>> Its not the charts fault that it leads to this.
>> But if you dumped a lot of dollar bills on the sidewalk somebody's going 
>> to
>> come along and pick it up.
>> 
>> 
>> 
>> --------------------
>> Mark William Rabiner
>> Photography
>> 
>> 
>> 
> 
> 
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Replies: Reply from benedenia at gmail.com (Marty Deveney) ([Leica] OT - Wet Darkroom Wizards)
In reply to: Message from kcarney1 at cox.net (Ken Carney) ([Leica] OT - Wet Darkroom Wizards)