Archived posting to the Leica Users Group, 2014/07/19

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Subject: [Leica] IMG: Protesting "The Mikado"
From: ken at iisaka.com (Ken Iisaka)
Date: Sat, 19 Jul 2014 10:40:47 -0700
References: <23662093.1405787885545.JavaMail.root@elwamui-milano.atl.sa.earthlink.net>

And thank you, Doug. I certainly do not speak for anyone other than myself. 
I realize that my experience as an Asian man living in the US may not fit 
the victimhood that certain "activists" would like to perpetuate.

There are certainly many who earn their living or at least infamy through 
perpetuating the myth of victimhood. They get their need for validation 
satisfied through convincing others to feel victimized.

The writer of the said article is merely a trivial example of this. At a 
grandeur scale, a lot of news media selling their propaganda, religious 
organizations, and and "political activism" depend on victimization for 
their financial gains.

While I do think G&S is entertaining, and I have seen several productions, 
my taste runs more towards Austro-German expressionist opera. If I went out 
protesting every "offensive" thing out there, we will have no art, no 
dialogue, and certainly no history left in our world.

At the end of the day, I think the writer helped the production by giving it 
much publicity, resulting in greater ticket sales. I wish I were in Seattle. 

Sent from my iPhone

> On Jul 19, 2014, at 9:38 AM, Doug Herr <wildlightphoto at earthlink.net> 
> wrote:
> 
> I can't (and won't) speak for anyone else but I'd rather be though of as 
> an individual than as a bearded male anglo/austrian.
> 
> Doug Herr
> Sacramento
> http://www.wildlightphoto.com
> 
> 
> 
> 
> -----Original Message-----
>> From: Mark Rabiner <mark at rabinergroup.com>
>> Sent: Jul 19, 2014 5:40 AM
>> To: Leica Users Group <lug at leica-users.org>
>> Subject: Re: [Leica] IMG:  Protesting "The Mikado"
>> 
>> I'm writing about how how the silent majority here in the US would presume
>> to say what's ok for Asians. And other minorities as well.  "They should 
>> not
>> be so over sensitive. They should let us define them."  What would or 
>> should
>> be insulting to them and what should not. And what people call themselves.
>> I am pretty clearly writing a pro diversity and individuality message 
>> build
>> on respect for other peoples.
>> We is me.  "We" are the bad guys in the story. And when its explained to 
>> me
>> clearly why the word "we" is objectionable I will of course deny ever 
>> having
>> used it. And will use "Us" instead.
>> 
>> The problem of course is getting a consensus. I can't claim to speak for
>> bland people who look like me here in the US and I imagine you can't claim
>> to speak for all Asians or Japanese people in Canada. We just have our
>> opinions.We have internet search engines..
>> 
>> Its great to hear your opinion on the non offensiveness of The G&S 
>> operetta
>> The Mikado. It would be great if your opinion was part of a real consensus
>> but I think in the next few years we'll find even more clearly that it is
>> not. I think we'll find that a great many Asian people are offended by the
>> play and have been for a long time. As this is not new news its old 
>> news....
>> We've got this thing called the internet now so its an easy thing to check
>> out. 
>> 
>> The first 4 Goggles:
>> 
>> 1995
>> http://web.stcloudstate.edu/scogdill/mikado/racism.html
>> 
>> 2024
>> http://seattletimes.com/html/opinion/2024050056_mikadosharonpianchancolumn14
>> xml.html
>> 
>> 2013
>> http://www.nikkeiview.com/blog/2013/05/its-time-to-take-the-offensive-yellow
>> face-of-the-mikado-off-the-stage/
>> 
>> 2000
>> http://brightlightsfilm.com/30/topsyturvy1.php#.U8pghhzeonY
>> 
>> " that still leaves one question unanswered: Why would Mike Leigh, known 
>> for
>> his astute films about social issues, revive The Mikado, even though 
>> modern
>> audiences might recoil from the content? As the opera rekindled Gilbert 
>> and
>> Sullivan's partnership and as their fans have treasured this opera most, 
>> it
>> makes sense that Leigh's tribute would center on The Mikado. There's no
>> obvious way in which he could have distanced himself from the material and
>> commented on it ironically. But the film embraces the opera too
>> enthusiastically, as if nothing had changed in 115 years. As this is 
>> untrue,
>> Japanophile viewers of Topsy-Turvy may experience a large disconnect."
>> 
>> 
>> 
>> 
>>> On 7/19/14 7:17 AM, "Ken Iisaka" <ken at iisaka.com> wrote:
>>> 
>>> Who the hell are WE, Mark??? This is one of the most insulting I have 
>>> read on
>>> LUG. It is as if "WE" do not include the likes of me. Besides, "Asians" 
>>> make
>>> up about 60% of the global population, who the heck are WE anyway?
>> 
>> As a US
>>> resident of Japanese heritage with Canadian citizenship, I never thought 
>>> of
>>> Mikado as being insulting towards Japanese any more than Madama 
>>> Butterfly is,
>>> though portraiture of the Japanese culture is certainly na?ve.
>> 
>> However, there
>>> had been (and are) movies in particular which are categorically offensive
>>> because of the intent: Breakfast at Tiffany's being one of the most 
>>> egregious
>>> and best known example. Compared to this, both Mikado and Madama 
>>> Butterfly are
>>> quite adorable in their misconception and misunderstanding.
>> 
>> We do have an
>>> ugly history, and it is quite inevitable that we have things that are
>>> offensive to some. Is the "Swedish chef" in Sesame Street offensive to 
>>> Swedes?
>>> Merchant of Venice to Jews? Finnish in Monty Python? Polish and Newfie 
>>> jokes?
>>> Yes, but so what?
>> 
>> I have better things to worry about. 
>> 
>> 
>> Sent from my
>>> iPhone
>> 
>>> On Jul 19, 2014, at 2:19 AM, Mark Rabiner <mark at rabinergroup.com>
>>> wrote:
>>> 
>>> The issue is not how WE think about it but what the Asian people
>>> want.
>>> If Asian people in what appears to be as in some kind of consensus
>>> are
>>> giving the show it a thumbs down than its a play which is more that
>>> dated it
>>> should probably not be done.  I'm wondering how many if any were in
>>> the
>>> audience.
>>> Flower Drum Song we all thought was a great show but we
>>> started to figure it
>>> out earlier on realize  is was more than just benignly
>>> dated and its really
>>> no longer done any more. I just checked.
>>> 
>>> http://en.wikipedia.org/wiki/Flower_Drum_Song
>>> I still have my LP somewhere.
>>> Its about worn out. I can sing the whole show
>>> for you by heart every verse
>>> I'm pretty sure. But would be embarrassed to do
>>> it within earshot of an
>>> Asian friend.
>>> " Chop suey, chop suey!
>>> Good and bad, intelligent, mad, and
>>> screwy." that was  me singing.
>>> I'm going to have to stare at a whirling
>>> black cube.
>>> As much as I hate to say or think it the same might happen with
>>> "The Mikado"
>>> which I have also loved for decades and have recently seen in a
>>> slick
>>> production in Portland OR. And have often sung along to my CD's of it
>>> I have
>>> two different versions of much of it. And pretty  much have all the
>>> lyrics
>>> memorized.
>>> "IF  YOU WANT TO KNOW WHO WE AAARE" that was me singing
>>> just now. And is as
>>> far as I'm going to go.
>>> We just don't get to define
>>> other peoples identity issues. Only our own. I
>>> should speak for myself. We
>>> might decide tomorrow that "white people" is
>>> offensive to our ears and we
>>> want to be called the "evil beige people". I'm
>>> sure it would catch on with
>>> no controversy.
>>> 
>>> About decade or so ago black people decided in a kind of
>>> consensus that they
>>> didn't what to be called black people any more.  The
>>> wanted to go with the
>>> term "African Americans" Lots of white people had big
>>> opinions about it on
>>> tv news shows  but in the end everyone knew it was just
>>> now up to us. It was
>>> up to them.  Turns out the term is still used but way
>>> less often. Whoopi
>>> Goldberg said she was not going to change. Nobody wants
>>> to mess with her.
>>> That could be it.
>>> 
>>> 
>>>>> On 7/19/14 4:42 AM, "Peter A.
>>>> Klein" <pklein at threshinc.com> wrote:
>>>> 
>>>> This pair was protesting and
>>> handing out leaflets in front of the
>>>> Seattle Gilbert and Sullivan Society's
>>> production of "The Mikado," which
>>>> they regard as "Yellowface" and racist. I
>>> accepted their leaflets, but
>>>> when I took out my camera, they concealed
>>> their faces.
>>>> <https://www.flickr.com/photos/24844563 at N04/14689190055/>
>>> 
>>>> On Monday, a Seattle Times opinion page editor slammed the production,
>>> which she hadn't seen. This was followed by two radio interviews in
>>>> which
>>> she repeated her charges of "Yellowface" and racism. An Internet
>>>> flamefest
>>> followed, including calls for a boycott and shutting down the
>>>> show. There
>>> were fears that the performance would be disrupted, but that
>>>> didn't happen
>>> Friday night, and only these two showed up.
>>>> 
>>>> If you're interested in
>>> reading more about what's going on, Google these
>>>> words: seattle mikado
>>> gilbert sullivan.  You'll find all the relevant
>>>> stuff on the first two
>>> pages.
>>>> 
>>>> Full disclosure:  Yours truly is not unbiased. I love Gilbert
>>> and
>>>> Sullivan, I love "The Mikado," and I played bassoon in the company
>>> back
>>>> in the 1980s.  If this were a realistic play with Asian characters
>>> being
>>>> played by whites and/or mugging offensive stereotypes, I would be
>>> sympathetic to the concerns. But that's not what "The Mikado" is. It's
>>> Brits (or Americans) playing Brits playing dress-up, but mostly acting
>>>> like
>>> caricatures of upper-class Brits of 130 years ago.  Nobody wears
>>> Asian-style makeup, except for Katisha (the fearsome contralto
>>>> character),
>>> who is made-up Kabuki-style. The G&S Society has a tradition
>>>> of color-blind
>>> casting. No Asian-Americans auditioned for this show,
>>>> there are 38
>>> Caucasians and 2 Hispanics on stage. There are several
>>>> Asian-Americans on
>>> the stage crew, one in the orchestra pit (a friend of
>>>> mine), and one on the
>>> society's Board of Trustees.
>>>> 
>>>> --Peter
>>> _______________________________________________
>>>> Leica Users Group.
>>>> See
>>> http://leica-users.org/mailman/listinfo/lug for more information
>>> 
>>> 
>>> 
>>> 
>>> 
>>> -- 
>>> Mark William Rabiner
>>> Photographer
>>> 
>>> http://gallery.leica-users.org/v/lugalrabs/
>>> 
>>> 
>>> 
>>> 
>>> _______________________________________________
>>> Leica Users Group.
>>> See
>>> http://leica-users.org/mailman/listinfo/lug for more
>>> information
>> 
>> _______________________________________________
>> Leica Users
>>> Group.
>> See http://leica-users.org/mailman/listinfo/lug for more information
>> 
>> 
>> 
>> 
>> -- 
>> Mark William Rabiner
>> Photographer
>> http://gallery.leica-users.org/v/lugalrabs/
>> 
>> 
>> 
>> _______________________________________________
>> Leica Users Group.
>> See http://leica-users.org/mailman/listinfo/lug for more information
> 
> 
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information


Replies: Reply from photo at frozenlight.eu (Nathan Wajsman) ([Leica] IMG: Protesting "The Mikado")
In reply to: Message from wildlightphoto at earthlink.net (Doug Herr) ([Leica] IMG: Protesting "The Mikado")