Archived posting to the Leica Users Group, 2000/01/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I really like XP-2. I think it gives a great negative with smooth tonal gradations and about two stops latitude either way. However, I have recently discovered that while I can make wonderful silver prints from XP negatives, that it does not scan as well as Tri-X for digital printing (at least it does not scan as well on the system to which I had access). However, that's just me. You know, though, you have to try as many different films and media as possible and decide what YOU like. Film is cheap, its the cheapest accessory you can get for your camera...use it lavishly, try it out and decide for yourself what YOU like. For my taste and work, you can't beat a silver print on the coldest tone paper from a Tri-X negative. But, believe me, a lot of people just hate that look. I would also avoid the "exclusively" or "almost exclusively" syndrome. You have probably seen a lot of yammering on this list lately about "this film rules...that film sucks." This is utter nonsense and is as useful as ethnic stereotypes. Each film has its own characteristics which can be exploited to achieve a desired look for a particular image you have in mind at a given moment. My advice is to be familiar with as many films as you can and choose the one that's right for what you see at that particular moment, not to pick one film to use almost exclusively. Especially not to pick one film because you read about it on the LUG! That is not to say that you shouldn't have a favorite film, one you use more than others and the one to which you turn when you don't know where to turn, but you should develop that favorite from your experience, not everybody else's. Buzz Hausner - -----Original Message----- From: claire [mailto:clairetm@singnet.com.sg] Sent: Tuesday, January 04, 2000 10:21 AM To: leica-users Subject: [Leica] ......... chromo film....... Dear All...... Any of U out there use (almost exclusively) chromogenic film (eg. kodak TCN400 , Ilford XP2 , Konica VX400 ) when doing available lite photography ? By upping the ASA to 800 or 1600, U will still have grain free pics..... Just want to know how and whether or not U guys take advantage of such film. How heavy a weightage U place on the choice of film when doing available lite B&W photography. Since the chromo films are sharp , grainfree, able to be upped in the ASA without any loss of quality......... wouldn't this be THE choice over the staple TMax series and such....? What are your views and experiences ? Then there is the argument that the beauty of true B&W film is in the hint of grain itself.... hence the chromo films are a cop-out. Peace TMLee