Archived posting to the Leica Users Group, 2000/02/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]John Collier <jbcollier@home.com> wrote: >Colour photography is a very difficult expressive medium >as colours have strong psychological effects and popular >colour preferences are constantly shifting. These factors >tended to overwhelm the subject and the artist. For >years no one thought serious colour work was possible. >Eggleston changed that. Not only Eggleston though! Sheila Metzner; Irivng Penn; Susan Meiselas; William Albert Allard; Ernst Haas; Lennart Nilsson; Rosamond Wolff Purcell; Lucas Samaras ...to name just a nonrepresentative few photographers whose color images have influenced the way that I see the world, for better and worse. As Paul Chefurka put it so well, it's not as though color is a new problem in the visual arts. And I'm unconvinced that the problem was any more a lack of photographers willing & able to tackle color than it was a lack of critical viewers able to decide what might qualify as artistic color photography. None of this is to cast aspersions on Eggleston's work. I'm undecided and a bit ambivalent about it. I certainly don't buy that you always have to 'just get it' first try. And I'm certainly not going to decide on the basis of a half dozen lo-res pictures on the Web. It took some years of trying before I started to understand what Atget was doing and to like it. I never liked Arbus at all, but then about two years ago I saw a couple of her prints at SF MOMA, and they literally took my breath away. So I agree that visual art need not be accessible and that it has different purposes. But as art becomes more inaccessible it is at increasingly great risk of being irrelevant or, worse, a sham. Alexey Merz